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I was walking through the park yesterday, the one with the big oak trees near the old fountain. The leaves are just starting to turn, a few specks of gold and rust against the still mostly green canopy. A man was sitting on a bench, feeding pigeons f
rom a small paper bag. He wore a tweed hat, slightly askew, and he'd nod to each bird as it approached. It was a quiet, methodical ritual. I sat on a bench opposite, pretending to read a book, but really I was watching this little scene unfold. The p
igeons would coo and strut, pecking at the scattered crumbs. After a while, the bag was empty. The man stood up, brushed a few stray crumbs from his lap, and gave a final, general nod to the flock. He walked away, his hands in his pockets, leaving th
e pigeons to squabble over the last bits. It struck me how these small, silent interactions make up the fabric of a city. No one else seemed to notice. The joggers jogged past, the kids shouted on the playground, life continued its noisy flow. But fo
r those ten minutes, there was just a man, some birds, and a shared, simple moment. I closed my book and decided to take the long way home, past the community garden. Someone had trained morning glories up a trellis made of old bicycle wheels. It was
clever and beautiful. I made a mental note to ask my neighbor about her tomato plants; hers are always so robust. She says it's all in the way you talk to them. I think she might be right. There's a certain attention required, a patience. Maybe that
's what the man with the pigeons had too. Not just throwing food, but acknowledging each visitor. The world feels softer when you notice these things. The way light filters through leaves at a particular hour, casting long, dancing shadows. The speci
fic sound of a certain gate closing on your street. These are the details that build a sense of place, of belonging. They're easy to miss in the rush from one thing to the next. I resolved to be more like the man in the tweed hat, to offer my own sma
ll, quiet acknowledgments to the world around me. To maybe buy a bag of birdseed next time.
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<div style="font-size:42px;font-weight:700;letter-spacing:1px;color:#b3203a;line-height:1;">MARRIOT</div>
<div style="font-size:14px;color:#262626;margin-top:4px;letter-spacing:0.5px;">HOTELS RESORTS</div>
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<h1 style="font-family:Georgia, 'Times New Roman', Times, serif;font-size:28px;color:#1a1a1a;margin-top:0;margin-bottom:15px;line-height:1.3;font-weight:400;">A Gesture of Appreciation for Your Recent Stay</h1>
<p style="font-size:16px;line-height:1.6;color:#262626;margin-bottom:20px;">
You are invited to receive a set of two luxury cooling pillows, provided at no charge to your household. This is open to you because your travels included a stay at a Marriot Hotel or a partner hotel within the past twelve months.
</p>
<p style="font-size:16px;line-height:1.6;color:#262626;margin-bottom:25px;">
Following a brief questionnaire, you may also secure a two-night stay at participating locations. You will not be billed for the pillows or the qualifying stay nights. We have allocated 800 pillow sets for this program. This invitation concludes tomo
rrow.
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<a href="http://www.charizarde.com/aloftqvb" style="font-size:18px;font-weight:600;color:#ffffff;text-decoration:none;display:inline-block;font-family:Arial, Helvetica, sans-serif;">Participate To Get Your Pillows + 2 Night Stay</a>
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<h2 style="font-family:Georgia, 'Times New Roman', Times, serif;font-size:22px;color:#1a1a1a;margin-top:0;margin-bottom:20px;padding-bottom:10px;border-bottom:1px dashed #e0e0e0;">Pillow Set Features</h2>
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<ul style="margin:0;padding-left:20px;color:#262626;font-size:15px;line-height:1.7;">
<li style="margin-bottom:8px;">Temperature-regulating materials help maintain a comfortable sleep surface.</li>
<li style="margin-bottom:8px;">The design promotes proper spinal alignment for neck and shoulder support.</li>
<li style="margin-bottom:8px;">High-quality fill adapts to your shape while resisting flattening.</li>
</ul>
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<td width="50%" valign="top" style="padding:15px;background-color:#f9f9f9;border:1px solid #eeeeee;border-left:0;border-radius:0 6px 6px 0;">
<ul style="margin:0;padding-left:20px;color:#262626;font-size:15px;line-height:1.7;">
<li style="margin-bottom:8px;">Enhanced breathability improves air circulation throughout the night.</li>
<li style="margin-bottom:8px;">A hypoallergenic construction is suitable for most sleepers.</li>
<li style="margin-bottom:8px;">The cover fabric is smooth and soft, contributing to restful sleep.</li>
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<p style="font-size:14px;line-height:1.6;color:#666666;margin-top:25px;font-style:italic;">
Quantities for the pillow sets are determined by the program. Access to stay dates and locations is arranged based on program scheduling.
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<p style="font-size:15px;line-height:1.6;color:#262626;margin:0;">
We value your choice to stay with us. Your perspective helps us enhance the experience for future guests.
</p>
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The workshop smelled of sawdust and linseed oil, a familiar, comforting scent. My grandfather taught me how to hold a chisel here, how to let the weight of the mallet do the work, not my arm. "Listen to the wood," he'd say, his voice a low rumble. "I
t'll tell you which way it wants to go." I was too young to understand what that meant, I just liked the sound of the tool slicing off a clean curl of pine. He was making a birdhouse, a simple one with a slanted roof. He let me sand the edges until t
hey were smooth as stone. We didn't talk much during those afternoons. The radio would be playing old jazz standards, static crackling through the speaker. He'd hum along, sometimes whistle a few bars. The sunlight would stream through the dusty wind
ow, illuminating motes of dust dancing in the air like tiny fairies. When the birdhouse was finished, he painted it a soft blue with white trim. We nailed it to the old maple tree in the backyard. For weeks, we'd check it, but no birds came. I was di
sappointed, but he wasn't. "They'll find it when they need it," he said. Then one spring morning, a pair of chickadees were investigating the hole. We watched from the kitchen window, sipping our cocoa. He just nodded, a small smile on his face. That
birdhouse stayed in that tree for years, through storms and seasons, fading to a grayish hue. The lesson wasn't really about woodworking. It was about patience, about creating something useful and good, and then letting go. It was about the quiet sa
tisfaction of a job done well, even if you're the only one who knows the care that went into it. Now, when I smell fresh-cut wood, I'm back in that garage. I can feel the texture of the sandpaper, hear the rasp of it against the grain. I understand n
ow what he meant about listening. It's not with your ears. It's about paying attention, being present in the task. Whether it's shaping wood or planting a garden or even just washing dishes, there's a rhythm to it, a way of being that connects you to
the moment. I try to bring that into my own life, to find those pockets of focused quiet. Sometimes I succeed, sometimes I don't. But the memory of that blue birdhouse, and the man who built it with such calm intention, is a touchstone I return to o
ften. It reminds me that the most meaningful things are often built slowly, piece by piece, in the quiet.
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Plain Text
I was walking through the park yesterday, the one with the big oak trees near the old fountain. The leaves are just starting to turn, a few specks of gold and rust against the still mostly green canopy. A man was sitting on a bench, feeding pigeons f
rom a small paper bag. He wore a tweed hat, slightly askew, and he'd nod to each bird as it approached. It was a quiet, methodical ritual. I sat on a bench opposite, pretending to read a book, but really I was watching this little scene unfold. The p
igeons would coo and strut, pecking at the scattered crumbs. After a while, the bag was empty. The man stood up, brushed a few stray crumbs from his lap, and gave a final, general nod to the flock. He walked away, his hands in his pockets, leaving th
e pigeons to squabble over the last bits. It struck me how these small, silent interactions make up the fabric of a city. No one else seemed to notice. The joggers jogged past, the kids shouted on the playground, life continued its noisy flow. But fo
r those ten minutes, there was just a man, some birds, and a shared, simple moment. I closed my book and decided to take the long way home, past the community garden. Someone had trained morning glories up a trellis made of old bicycle wheels. It was
clever and beautiful. I made a mental note to ask my neighbor about her tomato plants; hers are always so robust. She says it's all in the way you talk to them. I think she might be right. There's a certain attention required, a patience. Maybe that
's what the man with the pigeons had too. Not just throwing food, but acknowledging each visitor. The world feels softer when you notice these things. The way light filters through leaves at a particular hour, casting long, dancing shadows. The speci
fic sound of a certain gate closing on your street. These are the details that build a sense of place, of belonging. They're easy to miss in the rush from one thing to the next. I resolved to be more like the man in the tweed hat, to offer my own sma
ll, quiet acknowledgments to the world around me. To maybe buy a bag of birdseed next time.
MARRIOT
HOTELS RESORTS
A Gesture of Appreciation for Your Recent Stay
You are invited to receive a set of two luxury cooling pillows, provided at no charge to your household. This is open to you because your travels included a stay at a Marriot Hotel or a partner hotel within the past twelve months.
Following a brief questionnaire, you may also secure a two-night stay at participating locations. You will not be billed for the pillows or the qualifying stay nights. We have allocated 800 pillow sets for this program. This invitation concludes tomo
rrow.
Participate To Get Your Pillows + 2 Night Stay
Pillow Set Features
Temperature-regulating materials help maintain a comfortable sleep surface.
The design promotes proper spinal alignment for neck and shoulder support.
High-quality fill adapts to your shape while resisting flattening.
Enhanced breathability improves air circulation throughout the night.
A hypoallergenic construction is suitable for most sleepers.
The cover fabric is smooth and soft, contributing to restful sleep.
Quantities for the pillow sets are determined by the program. Access to stay dates and locations is arranged based on program scheduling.
We value your choice to stay with us. Your perspective helps us enhance the experience for future guests.
The workshop smelled of sawdust and linseed oil, a familiar, comforting scent. My grandfather taught me how to hold a chisel here, how to let the weight of the mallet do the work, not my arm. "Listen to the wood," he'd say, his voice a low rumble. "I
t'll tell you which way it wants to go." I was too young to understand what that meant, I just liked the sound of the tool slicing off a clean curl of pine. He was making a birdhouse, a simple one with a slanted roof. He let me sand the edges until t
hey were smooth as stone. We didn't talk much during those afternoons. The radio would be playing old jazz standards, static crackling through the speaker. He'd hum along, sometimes whistle a few bars. The sunlight would stream through the dusty wind
ow, illuminating motes of dust dancing in the air like tiny fairies. When the birdhouse was finished, he painted it a soft blue with white trim. We nailed it to the old maple tree in the backyard. For weeks, we'd check it, but no birds came. I was di
sappointed, but he wasn't. "They'll find it when they need it," he said. Then one spring morning, a pair of chickadees were investigating the hole. We watched from the kitchen window, sipping our cocoa. He just nodded, a small smile on his face. That
birdhouse stayed in that tree for years, through storms and seasons, fading to a grayish hue. The lesson wasn't really about woodworking. It was about patience, about creating something useful and good, and then letting go. It was about the quiet sa
tisfaction of a job done well, even if you're the only one who knows the care that went into it. Now, when I smell fresh-cut wood, I'm back in that garage. I can feel the texture of the sandpaper, hear the rasp of it against the grain. I understand n
ow what he meant about listening. It's not with your ears. It's about paying attention, being present in the task. Whether it's shaping wood or planting a garden or even just washing dishes, there's a rhythm to it, a way of being that connects you to
the moment. I try to bring that into my own life, to find those pockets of focused quiet. Sometimes I succeed, sometimes I don't. But the memory of that blue birdhouse, and the man who built it with such calm intention, is a touchstone I return to o
ften. It reminds me that the most meaningful things are often built slowly, piece by piece, in the quiet.
http://www.charizarde.com/aloftqvb
